NIOS Class 12 Natyakala (385) Practical File
Table of Contents
Sr. No. | Practical | Page No. |
---|---|---|
1 | Objectives | 1 |
2 | Implementation: Dance Choreography (Bharatanatyam) | 3 |
3 | Implementation: Drama Skit | 5 |
4 | Implementation: Stage Design | 7 |
5 | Marks Distribution in Formative Assessment (5 PCP Sessions) | 9 |
6 | Preparation for PCP Practical Session | 11 |
7 | Precautions (Do’s and Don’ts) | 13 |
8 | Mark Distribution | 15 |
9 | Viva Questions | 17 |
1. Objectives
Objective: To outline the learning goals for Natyakala practicals, focusing on performance mastery and documentation.
Procedure: List objectives for a performance (e.g., Bharatanatyam or drama skit). Include mastering mudras, expressions, rhythm, costume design, stage presence, and reflective documentation.
Observations: Objectives included learning 5 mudras, synchronizing with music, designing a costume, and documenting reflections. Goals were specific and measurable.
Conclusion: Well-defined objectives ensure focused preparation and align with NIOS evaluation criteria.
2. Implementation: Dance Choreography (Bharatanatyam)
Objective: To choreograph and perform a 3-minute Bharatanatyam piece.
Procedure: Select a traditional raga (e.g., Raga Mohanam). Choreograph a sequence with 5 mudras (e.g., Alapadma, Kataka), 3 adavus (basic steps), and expressive movements. Rehearse 10 times, perform in a PCP session, and document steps, music, and costume details.
Observations: Performed 4/5 mudras correctly, synchronized with Tala. Costume included traditional saree and jewelry. Audience appreciated expressions.
Conclusion: Choreography requires precise coordination of music, movement, and expression for impactful performance.
3. Implementation: Drama Skit
Objective: To write and perform a 5-minute drama skit.
Procedure: Write a script on a social theme (e.g., education). Assign roles for 3 characters, prepare props (e.g., desk, books), and rehearse dialogue delivery. Perform in a PCP session, document script and stage setup.
Observations: Skit performed with clear dialogue and props. Stage setup used a simple backdrop. Timing was 4:50 minutes.
Conclusion: Drama skits enhance storytelling and teamwork skills.
4. Implementation: Stage Design
Objective: To design a stage for a Natyakala performance.
Procedure: Plan a stage layout for a dance performance. Include backdrop (cultural motif), lighting (2 spotlights), and props (e.g., diya). Sketch the design and implement in a rehearsal.
Observations: Backdrop used floral patterns, lighting highlighted performer. Props were stable and safe.
Conclusion: Effective stage design enhances the visual appeal of performances.
5. Marks Distribution in Formative Assessment (5 PCP Sessions)
Objective: To understand the marks allocation for Natyakala practicals across 5 PCP sessions.
Procedure: Review NIOS guidelines. Document marks for performance (50%), documentation (30%), and viva (20%) in a table for 5 sessions.
Observations: Performance: 50 marks (technique, expression), Documentation: 30 marks (clarity, diagrams), Viva: 20 marks. Consistent across sessions.
Conclusion: Knowing marks distribution helps prioritize performance and documentation efforts.
6. Preparation for PCP Practical Session
Objective: To prepare for a practical performance in a PCP session.
Procedure: Plan a 5-minute Kathak dance. Select music (e.g., Raga Yaman), practice 5 tatkar steps, prepare costume (e.g., Anarkali suit), and rehearse with peers. Document preparation steps and stage setup.
Observations: Rehearsed 4 times, costume fit well, stage setup completed in 15 minutes. Performance was smooth.
Conclusion: Thorough preparation ensures confident and effective performances.
7. Precautions (Do’s and Don’ts)
Objective: To identify safety and performance guidelines for Natyakala.
Procedure: List Do’s (e.g., warm-up for 10 minutes, check stage for hazards) and Don’ts (e.g., avoid unrehearsed heavy costumes, don’t ignore music cues). Apply during a dance rehearsal.
Observations: Warm-up prevented muscle strain, stage checked for loose props. Avoided heavy jewelry without trial.
Conclusion: Precautions ensure performer safety and performance quality.
8. Mark Distribution
Objective: To document detailed mark allocation for Natyakala practical evaluation.
Procedure: Create a table based on NIOS guidelines: Performance (25 marks technique, 25 marks expression), Documentation (20 marks clarity, 10 marks diagrams), Viva (20 marks knowledge).
Observations: Performance: 25+25=50 marks, Documentation: 20+10=30 marks, Viva: 20 marks. Total: 100 marks.
Conclusion: Detailed mark distribution guides focused preparation for high scores.
9. Viva Questions
Objective: To prepare for viva questions related to Natyakala practicals.
Procedure: Compile a list of 15 potential viva questions with answers. Practice explaining performance and documentation processes.
Observations: Sample questions:
- 1. What are the key elements of Bharatanatyam? (Answer: Mudras, adavus, expressions, and rhythm.)
- 2. How did you ensure stage safety? (Answer: Checked for hazards, secured props.)
- 3. Why is documentation important in Natyakala? (Answer: Reflects preparation and understanding.)
- 4. Explain the role of lighting in performance. (Answer: Highlights performer, sets mood.)
- 5. What challenges did you face in choreography? (Answer: Synchronizing with music.)
Conclusion: Preparing viva answers enhances confidence and clarity during evaluation.